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Rhythm error on first note in tuplet (32nd rather than 16th). Slur from grace note to regular note dropped. Finale adds spurious second "sf" and crescendo. Grace note detected, but lost its slash.įinale addes slash through grace note. Identify errors in its parsing of rhythms. Other words, SmartScore is not utilizing vertical alignment to LH chords misaligned due to rhythm error in RH grace note. "3" of tuplet recognized as text rather than part of tuplet. Slur missing from grace note to following note. Grace note identified as regular quarter note. Unusual manner related to incorrect rhythm. Third note in RH identifed as triplet 32nd note.įinale absorbs quarter note into preceding triplet due to incorrectly. Finale and Sibelius move accidental in opposite directions from original placement. 
Stem lengths are preserved in SharpEye editor, but notĮxported to MusicXML: notice beam placement in RH. Preserved (continues throughout music so no longer mentioned).Ĭorrect. Place tenuto on staccato side of note for some reason.
First note of RH includes a spurious tenuto.įingerings are ignored by SmartScore, which will not be further mentioned.įinale moves staccatos above the note due to layer interpretation (andĮlsewhere in work which will not be further mentioned), but does not. MusicXML from SmartScore is loaded into Finale). Finale handles the pickup measure correctly (unlike when Fingerings ignored by SharpEye, which will not be further mentioned.įinale drops the dynamic offset information from the SharpEye input. PDF TO MUSICXML FINALE FULL
Measure numbers in SharpEye editor are correct (1 is first full bar of music). Piano dynamic spacing preserved in SharpEye editor but not exported to MusicXML. "PIANO" instrument name recognized as dynamic "ppp". Finale moves the staccato above the note. Treats the first bar as a full 2/2 measure with only the first beatįilled in Sibelius treats the bar as a pickup measure, but startsĬounting the measures with 1 for the pickup measure instead of for 
Position of "PIAN_IVO" and "p" marks Finale overlays them.
Offset positions of dynamics are not preserved (p mark comes before note in original, but is vertically. Text "PIANO" recognized as "PIA IVO" text "Allegro" recognized. Part name attached to first note rather than identified as part name (PIANO). sonata01-1-sharpeye.xml from SharpEye 2.68 using the rhythmĪnalysis setting " Relaxed, allow overlong measures" and converting small notes to grace notes. sonata01-1-smartscore.xml from SmartScore X2 Pro. Here are the exported MusicXML files from the OMR programs: The 300 DPI black and white images were used for the following analysis.īelow is a table containing the pages in four different image resolutions: Published by Édition classique a Durand & fils 1915. The first movement of Beethoven's first piano sonata edited by Paul Dukas PDF TO MUSICXML FINALE PDF
Program), Here are the original scans as a PDF file and as TIFF images for In both cases, only theĪutomatically identified music is being compared, with no corrections madeīefore generating MusicXML export and loading into Finale and Sibelius.įor further comparsion (such as the rest of the piece, or with another OMR Given on each side of the original scanned image. Comments on each measure in SmartScore and SharpEye are On the right, and the middle column contains the original input scan toīoth programs. SmartScore output is on the left, SharpEye output is
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SmartScore X2 Pro and SharpEye 2.68 using Beethoven's first piano sonataĪs test material.
The following table contains measure-by-measure input and output for OMR Comparison of SmartScore and SharpEye
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